Marclay's « The Clock », 2010
The agents of time and the time of the agents: the action of timepieces in Christian Marclay’s The Clock Lorenz Engell Pages 578-592 | Published online: 27 May 2016 ABSTRACT In the first part, the paper introduces and unfolds the concept of the ‘agent’ as contrasting the concept of the ‘actor’. The figure of the secret agent, for example, in TV series and feature films, serves as a starting point for the analysis of the concept. Agents, efficient only if they work independently and under command at the same time, having agency only within networks of both persons and artefacts, cross the border between the active and the passive. Even objects can be addressed as agents, an example of which is the clock. As an agent of timemaking, the clock has an intricate relation to intentionality; it hence deals with the problem of how and under which conditions it is possible to qualify certain operations, such as the functioning of a clock, as actions without actor. In the second part, the c...